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Festival Finale: Cycles of Life
Sep
1
4:00 PM16:00

Festival Finale: Cycles of Life

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Presented in Collaboration with Lieder Alive! 

The Festival comes full circle with a special program of musical cycles that mirror those in nature, joining the glory of the voice with the wonders of the piano. Debussy's Épigraphes antiques invoke the god Pan, give voice to an anonymous tomb, conjure a mysterious Egyptian woman, and offer thanks for the morning rain before reprising Pan's invocation. Emma Bardac, a celebrated French singer who would later become Madame Claude Debussy, inspired Fauré's passionate and life-affirming La Bonne Chanson. Fauré weaves these 9 songs with subtly recurring motifs while their freshness and apparent spontaneity create the atmosphere of improvisation. The final song, "L'hiver a cessé", is one of Fauré's most inspired and ecstatic creations.  

To bring our celebration of Fauré and his circle to a close, the festival concludes with Florent Schmitt's Trois Rhapsodies (1904) for two pianos. A student of Fauré, Florent Schmitt achieved a masterful blend of wit, infectious charm, and virtuosity in this work. Each rhapsody presents a larger than life tableau of national styles of the period: Française, Polonaise, & Viennoise. Beloved Bay Area artists Kindra Scharich and Gwendloyn Mok join Jeffrey LaDeur to present this finale concert. 

Celebrate the unity and joy of these wonderful compositions as we close out season 7!    

Kindra Scharich, mezzo-soprano

Gwendolyn Mok, piano 

Jeffrey LaDeur, piano 

Jean-Philippe Rameau (1683-1764) / Jeffrey LaDeur

Tristes apprêts from Castor et Pollux

Gabriel Fauré (1845-1924)

Nocturne No.6 in D-flat major Op.63

Jeffrey LaDeur, piano

La Bonne Chanson Op.61

Kindra Scharich, mezzo-soprano

Jeffrey LaDeur, piano

Intermission

Claude Debussy (1862-1918) 

Six épigraphes antiques for piano duet

Florent Schmitt (1870-1958)

Trois Rhapsodies Op.53 for two pianos 

Gwendolyn Mok & Jeffrey LaDeur, piano

Concert Sponsor: Britt-Marie Ljung & Warren Miller


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Schumann & Sherlock Jr.
Aug
30
8:00 PM20:00

Schumann & Sherlock Jr.

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The Festival is thrilled to present the return of Stephen Prutsman and the Telegraph Quartet in piano quintets of contrasting brilliance. Beginning with Robert Schumann's beloved Quintet Op.44, the set will change during intermission from concert hall to movie theater for a screening with live accompaniment. As the saying goes, the Silents were never silent, and Stephen Prutsman's dazzling score to Buster Keaton's 1924 classic Sherlock Jr. matches the genius of the film at every step. Join us for an eclectic and joyful evening of chamber music at its best performed by some of the Bay Area's brightest musical stars.

Stephen Prutsman, piano 

Telegraph String Quartet 

Eric Chin & Joseph Maile, violins 

Pei-Ling Lin, viola

Jeremiah Shaw, cello

Robert Schumann (1810-1856) 

Piano Quintet in E-flat major Op.44 

Intermission

Stephen Prutsman (1960-)

Original score to Buster Keaton's Sherlock Jr. (1924)

Concert Sponsor: Bernice Greene

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McKee Masterclass III: Sharon Mann
Aug
29
1:00 PM13:00

McKee Masterclass III: Sharon Mann

  • Barbro Osher Recital Hall, Bowes Center at San Francisco Conservatory of Music (map)
  • Google Calendar ICS

FREE RESERVATION HERE

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J.S. Bach Prelude & Fugue in G Major from Well-Tempered Clavier Book I

Claude Debussy L’isle joyeuse

Claire Chang, piano*

Sergei Rachmaninoff

Sonata No.2 in B-flat Minor Op.36 I. Allegro agitato

Jacob Rockower, piano

Our third and final masterclass welcomes back legendary pianist and educator Sharon Mann. Join us for this special class where Dr. Mann coaches our exceptional young artists.

Sharon Mann's early training on the piano began in Chicago with teachers Rudolph Ganz and Isador Buchhalter and continued with Irwin Freundlich and Rosalyn Tureck. She holds the country's first doctorate in piano/chamber music from Northwestern University in addition to her degrees from The Juilliard School and Stanford University. A respected soloist and ensemble player, Dr. Mann is widely acclaimed for her penetrating interpretations of Bach’s keyboard music: Her recording of the Six Partitas has recently been re-released by Cappella Records, and she has performed with such artists as Alain Marion, Michael Grebanier, Elaine Skorodin-Fuhrmann, and the Cavani String Quartet.

An appointee of Governor Richard Celeste, Dr. Mann was, for six years, Artistic Director of Ohio’s Governor’s Series, lecturing on radio directly from the state mansion. She has also served as Artistic Director of California’s Junior Bach Festival and as producer of the Soviet Emigré Orchestra.

Dr. Mann has held faculty positions with the Itzhak Perlman Music Program, the Bowdoin International Music Festival, the California Summer Music Festival, St. Olaf College, and Mills College. She has taught internationally in Germany, Greece, Italy, and China (where she returns annually), as well across the U.S. in Illinois, Indiana, Massachusetts, and Utah. She is currently working on a new edition of the complete Bach Keyboard Suites.

*McKee Laureate

Masterclass Sponsor: Lance & Dalia Nagel

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McKee Masterclass II: Paul Sánchez
Aug
29
10:00 AM10:00

McKee Masterclass II: Paul Sánchez

  • Barbro Osher Recital Hall, Bowes Center at San Francisco Conservatory of Music (map)
  • Google Calendar ICS

FREE RESERVATION HERE

LIVE STREAM LINK HERE

Mozart Sonata in C Minor K.457

Munan Cheng, piano*

Brahms Variations on a Theme of Paganini Op.35 (Book I)

Xinran Shi, piano

The McKee Masterclass series continues with renowned pianist Paul Sánchez as he returns to San Francisco to work with our gifted young artists.

Twice GRAMMY®-nominated pianist and composer Paul Sánchez has been praised as a “great artist” (José Feghali; Cecilia Rodrigo), “the ideal interpreter... performing with clear virtuosity” (Fanfare Magazine), for his “clarity, sensitivity” (The New Yorker), and “prodigious technical capacities” (The Rehearsal Studio).

In a Fanfare Magazine review of Sánchez’ CD Magus Insipiens, featuring three of Sánchez’ song cycles, Colin Clarke declares, “This is one of the most beautiful discs in my collection.... Haunting in the extreme,” while WFMT’s Henry Fogel, former president of the League of American Orchestras and the Chicago Symphony Orchestra, states, “This is hauntingly beautiful music... generously filled with melodic inspiration and evocative atmosphere.... works of originality and a distinctive musical personality.” Sherod Santos, American poet and translator of the Sappho texts in Sánchez’ song cycle The journey, describes Sánchez’ composition as “a magnificent achievement, a work of great innovation and hypnotic effect, impossible to walk away from unmoved.” Sánchez’ The journey is the subject of a chapter in Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance, alongside chapters on works by Samuel Barber, William Bolcom, George Crumb, Benjamin Britten, Jennifer Higdon, Libby Larson, Francis Poulenc, Dmitri Shostakovich, and other composers.

Sánchez is a recording artist with ten CD releases as of 2022, and his compositions have been featured on the Soundset Recordings and Albany labels. Recent releases include his GRAMMY®-nominated Dreams of a New Day (Cedille Records) with baritone Will Liverman, which was BBC Music Magazine’s “Album of the Month” and reached number 1 on Billboard’s “Traditional Classical Albums” chart; his GRAMMY®-nominated Lord How Come We Here? (Navona Records), with mezzo-soprano J’Nai Bridges and baritone Will Liverman; Seria Ludo - Piano Music by Graham Lynch (Divine Art Records), for which Fanfare Magazine praised Sánchez’ “performance.... grand, noble, reflective, yet shot through with internal light;” and Mysteria Fidei (Innova Records) with his wife, soprano Kayleen Sánchez, as the duo Far Song, performing new music of David M. Gordon and praised by Fanfare Magazine for its “transcendental performances.” His live recordings of songs by Charles Ives, with William Sharp, are featured in the film “Charles Ives’ America” (Naxos Records), which, according to JoAnn Falletta, “may very well be the most important film ever produced about American music.” His next album release will feature Shawn Okpebholo’s Songs in Flight, performed with Rhiannon Giddens, Will Liverman, Reginald Mobley, and Karen Slack.

Of his performances of Ives and Gershwin for Joseph Horowitz’ Music Unwound: American Roots, a program funded by the National Endowment for the Humanities, Horowitz stated, “Sanchez’ account of Rhapsody in Blue was original - the most bewitchingly lyric I have ever encountered.”

His focus on new music has resulted in world-premiere performances of several important new works composed for him, including Fabular Arcana, a four-movement piano concerto by David M. Gordon; Consolation New, a work for one pianist playing two pianos, by David M. Gordon; White Book 3 and Absolute Inwardness, solo piano works by Graham Lynch; Mysteria Incarnationis, written for Kayleen and Paul Sánchez by David M. Gordon; and Two Black Churches, written for baritone Will Liverman and Sánchez by Shawn Okpebholo.

Sánchez is an audio engineer and producer, with credits for albums published by Albany Records, Divine Art Records, Innova Records, Navona Records, and Soundset Recordings.

Dr. Sánchez served as Director of Piano Studies at the College of Charleston, on faculty at Baylor University and Wheaton College, and is a co-founder of the San Francisco International Piano Festival. He studied with Tamás Ungár; with Maria Teresa Monteys and Alicia de Larrocha, as a Fulbright fellow; and with Douglas Humpherys at the Eastman School of Music. Sánchez is a Steinway Artist.

Masterclass Sponsor: Jeffrey LaDeur

*McKee Laureate

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McKee Masterclass I: Gwendolyn Mok
Aug
27
3:00 PM15:00

McKee Masterclass I: Gwendolyn Mok

  • Barbro Osher Recital Hall, Bowes Center at San Francisco Conservatory of Music (map)
  • Google Calendar ICS

FREE RESERVATION HERE

LIVE STREAM LINK HERE

Maurice Ravel Sonatine

Munan Cheng, piano*

Maurice Ravel Jeux d’eau

Karina Tseng, piano*

Pianist, educator, authoritative interpreter- Gwendolyn Mok works with our gifted young artists, exploring classics of French piano music. Join us as we discover the inner workings of these masterpieces.

Born in New York City, Ms. Mok has appeared in many of the world's leading concert halls, including the Barbican, Carnegie Hall, the Kennedy Center, Avery Fisher Hall, Alice Tully Hall, Davies Symphony Hall, and the Hong Kong Performing Arts Center. She is frequently invited to play and record with major international orchestras, such as the London Symphony, the Philharmonia, the Hong Kong Philharmonic Orchestra, the Beijing Philharmonic Orchestra and the Residency Orchestra of the Hague.

Ms. Mok is a recording artist for Nonesuch/Elektra, Musical Heritage Society, Musician Showcase Recordings, Cala Records, and EMI. Her highly acclaimed debut CD with the Philharmonia of Ravel's “Piano Concerto in G Major” on the Cala label was nominated for an Alternative Edison award. A second Cala recording of Saint-Saëns’s “Africa—Fantasy for Piano and Orchestra” with the London Philharmonic has been equally applauded. Three solo CDs, “Ravel Revealed” (Ravel’s piano works) and “Brahms: Late Piano Works,” and “Legacy, The Spirit of Beethoven” were recorded on historic pianos for the Musicians Showcase Recording label. All (3)CDs received outstanding reviews and are broadcast frequently around the world. Recently two new CDs have been released: Poldowski Art Songs with soprano Angelique Zuluaga and pianist Gwendolyn Mok on the Delos label and EKTA Trilogy, featuring Mok as soloist on EKTA II, a concerto written for her by composer Brent Heisinger.

As a chamber musician, Ms. Mok appears regularly in the San Francisco Symphony Chamber Music Series, as well as in the San Jose Chamber Society and the Sacramento Chamber Society series. She collaborates often with members of the New York Philharmonic and the Philadelphia Orchestra. A popular soloist with the Symphony Silicon Valley, Ms. Mok co-produced and appeared in four sold-out performances of The Gershwin Radio Hour. In 2016 Ms. Mok was named President’s Scholar by San Jose State University, the highest honor given to an outstanding faculty member for their scholarship and research. Mok was also presented with the Artistic Acheievement Award by the College of Humanities & the Arts in 2008.

Ms. Mok began her studies at the Juilliard School of Music, completed her undergraduate work at Yale University, and earned her Masters and Doctorate at the State University of New York at Stony Brook. She is currently Coordinator of Keyboard Studies at San Jose State University and maintains a busy performing and recording schedule.

Masterclass Sponsor: Mary Bianco

*McKee Laureate

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Noontime Concerts: Markus Pawlik & Ariel Pawlik-Zwiebel
Aug
27
12:30 PM12:30

Noontime Concerts: Markus Pawlik & Ariel Pawlik-Zwiebel

FREE

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Join us for our annual co-presentation with Noontime Concerts featuring father and son duo Markus Pawlik, piano and Ariel Pawlik-Zwiebel, violin. This free lunchtime concert will include solo piano works by Fauré and works for violin and piano by Schubert, Ravel, and Franck.


Ariel Pawlik-Zwiebel, violin

Markus Pawlik, piano

Schubert

Violin Sonata No. 2 in A minor D.385 

I. Allegro moderato        

Fauré

Nocturne in B Major Op. 33 No.2                                                    

Ravel

Tzigane                                                              

Fauré

Barcarolle in F-Sharp Op. 66                                             

Franck

Violin Sonata  in A Major 

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Solo Recital Series: Asiya Korepanova, piano
Aug
25
4:00 PM16:00

Solo Recital Series: Asiya Korepanova, piano

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Transformations

Original Transcriptions by the Artist 

The San Francisco International Piano Festival is proud to present pianist and composer Asiya Korepanova in her San Francisco debut recital. Ms. Korepanova begins with a nod to our featured composer, Gabriel Fauré, before launching into a diverse array of virtuosic and emotionally captivating music, all in her own transcriptions. 

The only pianist in the world who performed the complete Rachmaninoff solo piano works within the composer’s 150th-anniversary year in 2023, Asiya Korepanova is a pianistic powerhouse hailed as a "tremendously gifted pianist who exhibits a singular affinity for Rachmaninoff’s Russian romantic idiom and possesses the blazing technique to fully realize his distinctive scores" (South Florida Classical Review), who is also highly recognized as a composer, visual artist, and poet. A herald of an enormous repertoire encompassing over 60 piano concertos and solo works ranging from early Baroque period to music of living composers, Asiya is a quintessential completist. She finds unique joy in performing complete collections of works such as the 24 Liszt Etudes or the entire Well-Tempered Clavier by Bach. Her emotionally charged and colorfully nuanced performances have gained her the admiration of audiences and resulted in many repeat engagements. 

Asiya, a pianist and composer, draws her musical inspiration from the legacy of Dmitry Shostakovich, having studied composition under his direct disciple, Albert Leman.She is the author of original works in multiple genres and instrumentations. Her historic solo piano transcriptions of Richard Strauss’ 'Ein Heldenleben', Rachmaninoff's Cello Sonata, Tchaikovsky's 'Manfred' Symphony,  Mussorgsky's 'Songs and Dances of Death' have placed her among today’s formidable transcribers.The most recent composition events include the world premiere recording of Asiya’s concerto for alto saxophone and piano, Poéme, performed by Thomas Giles and Liana Pailodze Harron; the publication of her transcription of Rachmaninoff's cello sonata; the premiere of her Piano Quintet ‘I marvel at the sky’, commissioned by the Third Dimension Music Festival; and the premiere of Con Brio for two pianos, performed with her duo partner Ilya Kazantsev as a part of the Dranoff Two Piano Foundation series.

Frédéric Chopin (1810-1849)

Introduction et Polonaise brillante, Op. 3

Gabriel Fauré (1845-1924)

Élégie Op.24

Amy Beach (1867-1944)

Extase, Op. 21 No. 2

Alban Berg (1885-1935)

Liebesode from Seiben frühe Lieder

Peter Tchaikovsky (1840-1893)

If only I had known, Op. 47 No. 1

César Franck (1822-1890)

Le mariage des roses

Modest Mussorgsky (1839-1881)

Songs and Dances of Death

I. Lullaby

II. Serenade

III. Trepak

IV. The Field Marshal

Intermission

Sergei Rachmaninoff (1873-1943)

Sonata for Cello and Piano, Op. 19

I. Lento-Allegro moderato

II. Allegro scherzando

III. Andante

IV. Allegro mosso

Concert Sponsor: American Liszt Society (San Francisco Bay Area Chapter)

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Opening Night: Fauré Centennial Celebration
Aug
23
8:00 PM20:00

Opening Night: Fauré Centennial Celebration

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The 7th annual San Francisco International Piano Festival opens with a centennial celebration of Gabriel Fauré (1845-1924). Fauré's oeuvre contains many treasures both beloved and unfamiliar, from the enchanting first Nocturne to the imposing Theme and Variations, the disarming tenderness of the Dolly Suite to the ardor of his first violin sonata. This varied landscape of beauty is truly unique to Fauré's musical voice. 

Festival favorite and authoritative interpreter Gwendolyn Mok will join artistic director Jeffrey LaDeur and special guest violinist Eric Chin. McKee Laureates and YCM alumni Sarah Yuan and Munan Cheng join us for this celebratory event. Bienvenue à tous!  


Gwendolyn Mok, piano 

Jeffrey LaDeur, piano 

Sarah Yuan & Munan Cheng, piano*

Eric Chin, violin

Gabriel Fauré (1845-1924)

Nocturne in E-flat minor Op.33 No.1

Impromptu in A-flat major Op.34

Ballade in F-Sharp Op.19

Gwendolyn Mok, piano

Dolly Op.56 (Selections)

Sarah Yuan & Munan Cheng, piano

Intermission

Thème et Variations in C-sharp minor Op.73

Jeffrey LaDeur, piano

Sonata for Violin & Piano in A major Op.13

Eric Chin, violin

Jeffrey LaDeur, piano

Concert Sponsor: Mary Bianco

*Ross McKee Laureates, Alumni of Young Chamber Musicians

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Festival Preview: Fauré Salon at the Maybeck (SOLD OUT)
Aug
22
7:00 PM19:00

Festival Preview: Fauré Salon at the Maybeck (SOLD OUT)

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ALL-FAURÉ PROGRAM

The festival is thrilled to return to the Maybeck as we kick off our 7th season! The 2024 festival speaks (and sings) with a distinctly French accent as we celebrate the life and music of Gabriel Fauré (1845-1924) in his centennial year. Not only was Fauré an inspired voice in of 19th and 20th century music, his oeuvre occupies a unique position in the repertoire: it is equally beloved and unknown. Join us in discovering hidden gems of Fauré's music while rediscovering your favorites.

Gwendolyn Mok, piano

Simon Barrad, Baritone

Markus Pawlik, piano

Munan Cheng & Sarah Yuan, piano

Jeffrey LaDeur, piano

Program:

Gabriel Fauré

Ballade Op.19

Gwendolyn Mok, piano

4 Homages to Fauré

Takayuki Hattori

Souvenir de la classe d'harmonie**

Kazuoki Fujii

Le Mont-Saint-Michel**

Tami Nodaira

Homage à Gabriel Fauré dans le style de ...**

Ichiro Nodaira

Meditation sur FA**

Markus Pawlik, piano

Fauré

Dolly Suite Op.56 (selections)

Berceuse 

Mi-a-ou 

Le jardin de Dolly 

Pas Espagnole

Sarah Yuan & Munan Cheng, piano

Intermission

Fauré

Thème et Variations in C-sharp minor Op.73

Jefffrey LaDeur, piano

Mandoline

Au bord de l’eau

En sourdine

L’horizon chimérique Op.118

Simon Barrad, baritone

Gwendolyn Mok, piano

** American Premiere

Concert Sponsor: Bob & Terri Ryan

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