MEET THe Artists
Gwendolyn Mok, piano
Born in New York City, Ms. Mok has appeared in many of the world's leading concert halls, including the Barbican, Carnegie Hall, the Kennedy Center, Avery Fisher Hall, Alice Tully Hall, Davies Symphony Hall, and the Hong Kong Performing Arts Center. She is frequently invited to play and record with major international orchestras, such as the London Symphony, the Philharmonia, the Hong Kong Philharmonic Orchestra, the Beijing Philharmonic Orchestra and the Residency Orchestra of the Hague.
Ms. Mok is a recording artist for Nonesuch/Elektra, Musical Heritage Society, Musician Showcase Recordings, Cala Records, and EMI. Her highly acclaimed debut CD with the Philharmonia of Ravel's “Piano Concerto in G Major” on the Cala label was nominated for an Alternative Edison award. A second Cala recording of Saint-Saëns’s “Africa—Fantasy for Piano and Orchestra” with the London Philharmonic has been equally applauded. Three solo CDs, “Ravel Revealed” (Ravel’s piano works) and “Brahms: Late Piano Works,” and “Legacy, The Spirit of Beethoven” were recorded on historic pianos for the Musicians Showcase Recording label. All (3)CDs received outstanding reviews and are broadcast frequently around the world. Recently two new CDs have been released: Poldowski Art Songs with soprano Angelique Zuluaga and pianist Gwendolyn Mok on the Delos label and EKTA Trilogy, featuring Mok as soloist on EKTA II, a concerto written for her by composer Brent Heisinger.
As a chamber musician, Ms. Mok appears regularly in the San Francisco Symphony Chamber Music Series, as well as in the San Jose Chamber Society and the Sacramento Chamber Society series. She collaborates often with members of the New York Philharmonic and the Philadelphia Orchestra. A popular soloist with the Symphony Silicon Valley, Ms. Mok co-produced and appeared in four sold-out performances of The Gershwin Radio Hour. In 2016 Ms. Mok was named President’s Scholar by San Jose State University, the highest honor given to an outstanding faculty member for their scholarship and research. Mok was also presented with the Artistic Acheievement Award by the College of Humanities & the Arts in 2008.
Ms. Mok began her studies at the Juilliard School of Music, completed her undergraduate work at Yale University, and earned her Masters and Doctorate at the State University of New York at Stony Brook. She is currently Coordinator of Keyboard Studies at San Jose State University and maintains a busy performing and recording schedule. Find out more
Jeffrey LaDeur, piano
Jeffrey LaDeur is known for his rare blend of insight, spontaneity, and approachable, communicative stage presence. Clic Musique Magazine (France) lauded “…an irreproachable legato, a beautiful palette of nuances, and an always well-balanced sound.” Having inherited a rich tradition of pianism and interpretation from Annie Sherter, student of Vlado Perlemuter and Alfred Cortot, LaDeur has established himself as a compelling exponent of classic and new repertoire. In March of 2018, LaDeur made his solo recital debut at Carnegie Hall on the centennial of Claude Debussy’s death. He appears regularly with orchestra and maintains a repertoire of over 40 concerti. LaDeur is the founder and artistic director of the San Francisco International Piano Festival and president of the American Liszt Society, San Francisco Bay Area Chapter.
LaDeur’s most recent solo recording features music of Liszt and was released by Music & Arts in April of 2022. Critic Henry Fogel wrote, “The beauty of his coloration, the rightness of his phrasing, and his sensitive dynamic shaping, all draw the listener into Liszt’s world.” A chamber musician of distinction, Jeffrey’s collaboration with mezzo soprano Kindra Scharich has produced To My Distant Beloved, an album exploring the connections between Beethoven and Schumann through cycles in song and solo piano works. LaDeur has collaborated with distinguished artists such as Robert Mann, Bonnie Hampton, Ian Swensen, Axel Strauss, Geoff Nuttall, and the Alexander String Quartet.
An active educator, Jeffrey offers masterclasses frequently as guest artist in universities throughout the United States and coaches gifted pre-college piano and string ensembles at Young Chamber Musicians in Burlingame, California. LaDeur holds degrees from the Eastman School of Music and San Francisco Conservatory of Music in piano performance and chamber music, respectively. Jeffrey counts among his teachers Mark Edwards, Douglas Humpherys, Yoshikazu Nagai, and Robert McDonald.
JeffreyLaDeur.com SFPIANO.ORG Find out more.*
Asiya Korepanova, piano
The only pianist in the world who performed the complete Rachmaninoff solo piano works within the composer’s 150th-anniversary year in 2023, Asiya Korepanova is a pianistic powerhouse hailed as a "tremendously gifted pianist who exhibits a singular affinity for Rachmaninoff’s Russian romantic idiom and possesses the blazing technique to fully realize his distinctive scores" (South Florida Classical Review), who is also highly recognized as a composer, visual artist, and poet.
A herald of an enormous repertoire encompassing over 60 piano concertos and solo works ranging from early Baroque period to music of living composers, Asiya is a quintessential completist. She finds unique joy in performing complete collections of works such as the 24 Liszt Etudes or the entire Well-Tempered Clavier by Bach. Her emotionally charged and colorfully nuanced performances have gained her the admiration of audiences and resulted in many repeat engagements.
Asiya, a pianist and composer, draws her musical inspiration from the legacy of Dmitry Shostakovich, having studied composition under his direct disciple, Albert Leman. She is the author of original works in multiple genres and instrumentations. Her historic solo piano transcriptions of Richard Strauss’ 'Ein Heldenleben', Rachmaninoff's Cello Sonata, Tchaikovsky's 'Manfred' Symphony, Mussorgsky's 'Songs and Dances of Death' have placed her among today’s formidable transcribers. The most recent composition events include the world premiere recording of Asiya’s concerto for alto saxophone and piano, Poéme, performed by Thomas Giles and Liana Pailodze Harron; the publication of her transcription of Rachmaninoff's cello sonata; the premiere of her Piano Quintet ‘I marvel at the sky’, commissioned by the Third Dimension Music Festival; and the premiere of Con Brio for two pianos, performed with her duo partner Ilya Kazantsev as a part of the Dranoff Two Piano Foundation series.
An avid chamber musician, Asiya collaborates with a wide array of musicians. Her partners include David Shifrin, the Hermitage Piano Trio, Milena Pajaro-van de Stadt, Svetoslav Stoyanov, Giora Schmidt, and Alexander Fiterstein. She regularly performs as part of the '88 by 20' piano duo with her friend and former classmate, Grammy-nominated pianist Ilya Kazantsev.
Uninhibited in her artistic expression, Asiya is also sought after her work as a visual artist and poet. Her uncompromising dedication to the arts have culminated in several projects featuring original poetry and visual art that serve as interpretive commentary for a particular cycle of piano works. These cycles include Liszt’s Transcendental Etudes, Bach’s Well-Tempered Clavier, Tchaikovsky’s 18 Morceaux, Op. 72, and, most recently, Mussorgsky's Pictures at an Exhibition. Asiya's live performances of these compositions have astounded audiences and organizers alike.
Caring about the development of society, in 2017 Asiya founded Music for Minds, a non-profit organization that brings classical performances into classrooms and creates music festivals featuring unique programming. From 2017 through 2019, Asiya directed her brainchild 'Festival Baltimore,' a two-week chamber music series and summer academy dedicated to the performance and study of complete cycles, one of Music for Mind's projects. In just three years, the festival solidified itself as a highly original music series and academy, presenting a wide array of styles and performers.
Born in Izhevsk, Russia, to a musical family, Asiya began learning the piano at 4 years old from her mother Soreya, her first piano teacher. At the age of 6, she was taught to read music in orchestral clefs by her father Sergey, an exemplary composer, and started composing her own music. At 9, she made her orchestral debut, playing Mozart Concerto No. 8 with her own cadenza, and gave her first full philharmonic recital. Simultaneously, she began studying composition with Albert Leman, the chair of Moscow Conservatory's composition department and a student of Dmitry Shostakovich. She continued working with him until his passing in 1998. That short period has influenced all future aspects of her musical and artistic development.
As a result of her early bond with composition, she appreciates new music. In Russia, she premiered three piano concertos by Vladislav Kazenin and Shamil Timerbulatov, performing with the Svetlanov Symphony Orchestra, the Saint Petersburg Capella Symphony Orchestra, the Ural Philharmonic Orchestra, and the Tatarstan National Symphony Orchestra. In the U.S., she has premiered various works by Michael Daugherty, Thomas Sleeper, Orlando Garcia, among others.
Throughout her early years in Russia, Ms. Korepanova received various awards for her prodigious abilities. These include the Russian Federation Presidential Award for Exceptional Achievement in the Arts, the National Award from the Republic of Udmurtia (2002), the Germany Berliner Salon Award (2003), the Russia Youth Triumph Award (2005), and the title of Honored Artist of Udmurtia (2009).
In 2012, Asiya moved to the United States at the invitation of renowned pianist and maestro Santiago Rodriguez, to earn a Doctoral degree under his guidance at the University of Miami. Later that year, she was awarded the Gold Medal at the Nena Wideman International Piano Competition—an achievement that proved invaluable in establishing her concertizing career in the U.S. In 2017, she added a University of Miami Artist Diploma degree to her portfolio, having earned it in the studios of Kevin Kenner and Tian Ying.
Asiya has since continued to garner national attention with performances at the Stern Auditorium at Carnegie Hall, the Phillips Collection, and many other notable recital series, symphony orchestras, and festivals throughout the country. She has been featured on CNN, NPR stations, WFMT, and WETA.
In 2023, Asiya embarked on a monumental project in celebration of Rachmaninoff’s 150th birth anniversary, performing his complete solo piano music in 6 recital programs throughout the United States. She premiered her latest transcription—the Manfred Symphony by Peter Tchaikovsky; toured performing Clara Schumann, Grieg, and Rachmaninoff piano concertos; anticipates the releases of scores of her compositions: the Poéme for alto saxophone and piano and Con Brio for two pianos, as well as transcriptions of works by Mussorgsky, Franck, Amy Beach, Fauré, Berg, and Bach.
Asiya and her husband Dmitry reside in a forest-rich Boston suburb, where she has unlimited time and hours of the day to practice or listen to music. She is an avid runner, hiker, and advocate for a healthy lifestyle. Find out more
Paul Sánchez, piano
Twice GRAMMY®-nominated pianist and composer Paul Sánchez has been praised as a “great artist” (José Feghali; Cecilia Rodrigo), “the ideal interpreter... performing with clear virtuosity” (Fanfare Magazine), for his “clarity, sensitivity” (The New Yorker), and “prodigious technical capacities” (The Rehearsal Studio).
In a Fanfare Magazine review of Sánchez’ CD Magus Insipiens, featuring three of Sánchez’ song cycles, Colin Clarke declares, “This is one of the most beautiful discs in my collection.... Haunting in the extreme,” while WFMT’s Henry Fogel, former president of the League of American Orchestras and the Chicago Symphony Orchestra, states, “This is hauntingly beautiful music... generously filled with melodic inspiration and evocative atmosphere.... works of originality and a distinctive musical personality.” Sherod Santos, American poet and translator of the Sappho texts in Sánchez’ song cycle The journey, describes Sánchez’ composition as “a magnificent achievement, a work of great innovation and hypnotic effect, impossible to walk away from unmoved.” Sánchez’ The journey is the subject of a chapter in Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance, alongside chapters on works by Samuel Barber, William Bolcom, George Crumb, Benjamin Britten, Jennifer Higdon, Libby Larson, Francis Poulenc, Dmitri Shostakovich, and other composers.
Sánchez is a recording artist with ten CD releases as of 2022, and his compositions have been featured on the Soundset Recordings and Albany labels. Recent releases include his GRAMMY®-nominated Dreams of a New Day (Cedille Records) with baritone Will Liverman, which was BBC Music Magazine’s “Album of the Month” and reached number 1 on Billboard’s “Traditional Classical Albums” chart; his GRAMMY®-nominated Lord How Come We Here? (Navona Records), with mezzo-soprano J’Nai Bridges and baritone Will Liverman; Seria Ludo - Piano Music by Graham Lynch (Divine Art Records), for which Fanfare Magazine praised Sánchez’ “performance.... grand, noble, reflective, yet shot through with internal light;” and Mysteria Fidei (Innova Records) with his wife, soprano Kayleen Sánchez, as the duo Far Song, performing new music of David M. Gordon and praised by Fanfare Magazine for its “transcendental performances.” His live recordings of songs by Charles Ives, with William Sharp, are featured in the film “Charles Ives’ America” (Naxos Records), which, according to JoAnn Falletta, “may very well be the most important film ever produced about American music.” His next album release will feature Shawn Okpebholo’s Songs in Flight, performed with Rhiannon Giddens, Will Liverman, Reginald Mobley, and Karen Slack.
Of his performances of Ives and Gershwin for Joseph Horowitz’ Music Unwound: American Roots, a program funded by the National Endowment for the Humanities, Horowitz stated, “Sanchez’ account of Rhapsody in Blue was original - the most bewitchingly lyric I have ever encountered.”
His focus on new music has resulted in world-premiere performances of several important new works composed for him, including Fabular Arcana, a four-movement piano concerto by David M. Gordon; Consolation New, a work for one pianist playing two pianos, by David M. Gordon; White Book 3 and Absolute Inwardness, solo piano works by Graham Lynch; Mysteria Incarnationis, written for Kayleen and Paul Sánchez by David M. Gordon; and Two Black Churches, written for baritone Will Liverman and Sánchez by Shawn Okpebholo.
Sánchez is an audio engineer and producer, with credits for albums published by Albany Records, Divine Art Records, Innova Records, Navona Records, and Soundset Recordings.
Dr. Sánchez served as Director of Piano Studies at the College of Charleston, on faculty at Baylor University and Wheaton College, and is a co-founder of the San Francisco International Piano Festival. He studied with Tamás Ungár; with Maria Teresa Monteys and Alicia de Larrocha, as a Fulbright fellow; and with Douglas Humpherys at the Eastman School of Music. Sánchez is a Steinway Artist. Find out more.
Stephen Prutsman, piano
Stephen Prutsman has been described as one of the most innovative musicians of his time. Moving easily from classical to jazz to world music styles as a pianist and composer, Prutsman continues to explore and seek common ground and relationships in the music of all cultures and languages.
In the early 2000s Stephen was Artistic Partner with the St. Paul Chamber Orchestra, where he wrote several new works for the orchestra, led performances of other composers as a conductor and pianist, and developed the orchestra's contemporary and world music series. Later he was the Artistic Director of the Cartagena International Festival of Music, South America’s largest festival of its kind, programming and curating concerts with themes ranging from Mozart celebrations, to eclectic evenings of folk and popular music of the Americas, to hybrid programs fusing art and dance music of multiple musical dimensions.
In the early 90’s he was a medal winner at the Tchaikovsky and Queen Elisabeth Piano Competitions, and received the Avery Fisher Career Grant. Since then Stephen has performed the classical concerto repertoire as soloist with many of the world’s leading orchestras and his classical discography includes acclaimed recordings of the Barber and McDowell concerti with the Royal Scottish National Orchestra and National Symphony Orchestra of Ireland, recordings of Bach's Well-Tempered Clavier, and a solo jazz album entitled "Passengers".
Born in Los Angeles, Stephen first began playing the piano by ear at age 3 before moving on to more formal music studies. In his teens and early 20s he was the keyboard player for several art rock groups including Cerberus and Vysion (and was a winner of television’s “The Gong Show”!) During those years, he worked regularly as a solo jazz pianist playing in many southern California clubs and lounges and was the music arranger for a nationally syndicated televangelist program.
As a composer, Stephen’s long collaboration with Grammy Award winning Kronos Quartet has resulted in over 40 arrangements and compositions for them. Other leading artists and ensembles who have performed Stephen’s compositions and arrangements include Leon Fleisher, Dawn Upshaw, the St. Lawrence String Quartet, Yo-Yo Ma, Spoleto USA, and the Silk Road Project. In 2010, his song cycle “Piano Lessons” was premiered by Ms. Upshaw and Emanuel Ax at Carnegie Hall (New York), the Concertgebouw (Amsterdam), Disney Hall (Los Angeles) and the Barbican Centre (London). As a pianist or arranger outside of the classical music world he has collaborated with such diverse personalities as Tom Waits, Rokia Traore, Jon Anderson of “YES”, Sigur Rós and Asha Bhosle. He has scored for a variety of ensembles 15 silent films from the 1920s which are regularly presented at various venues throughout the world.
He is a board member of several organizations in the San Francisco Bay Area promoting the well-being of people living with intellectual and developmental disabilities, and regularly produces and curates "Azure Concerts" musical performances tailored for individuals on the autism spectrum and their families. He was recently named Creative Director for Phenotypic Recordings, a new company specializing in recordings of contemporary music, and in January of 2023 Prutsman began a 2-year appointment as Visiting Artist at Stanford University.
Sharon Mann, piano
Sharon Mann's early training on the piano began in Chicago with teachers Rudolph Ganz and Isador Buchhalter and continued with Irwin Freundlich and Rosalyn Tureck. She holds the country's first doctorate in piano/chamber music from Northwestern University in addition to her degrees from The Juilliard School and Stanford University. A respected soloist and ensemble player, Dr. Mann is widely acclaimed for her penetrating interpretations of Bach’s keyboard music: Her recording of the Six Partitas has recently been re-released by Cappella Records, and she has performed with such artists as Alain Marion, Michael Grebanier, Elaine Skorodin-Fuhrmann, and the Cavani String Quartet.
An appointee of Governor Richard Celeste, Dr. Mann was, for six years, Artistic Director of Ohio’s Governor’s Series, lecturing on radio directly from the state mansion. She has also served as Artistic Director of California’s Junior Bach Festival and as producer of the Soviet Emigré Orchestra.
Dr. Mann has held faculty positions with the Itzhak Perlman Music Program, the Bowdoin International Music Festival, the California Summer Music Festival, St. Olaf College, and Mills College. She has taught internationally in Germany, Greece, Italy, and China (where she returns annually), as well across the U.S. in Illinois, Indiana, Massachusetts, and Utah. She is currently working on a new edition of the complete Bach Keyboard Suites. Learn More
Markus Pawlik, piano
Markus Pawlik is characterized as a pianist who combines expressiveness together with a phenomenal virtuoso technique. Born in Bremen, his talent was recognized early as the three-time winner of the German National Young Musician's Competition “Jugend Musiziert” and the recipient of a DAAD Scholarship. He embarked on an international career after winning the grand prize of the Eurovision “Young Musician of the Year” competition in 1982, and has since performed as a recitalist, soloist and chamber musician throughout Europe, Asia and North America.
Pawlik has given concerts in venues as varied as the Berlin Philharmonie, the Munich Hercules Saal, the Louvre in Paris and Davies Hall in San Francisco. He has performed the classical piano concerto repertoire with orchestras internationally and gave the debuts of a newly commissioned Piano Concerto by Ichiro Nodaira with the Berkeley Symphony and at the “Japanese composer prize” concert in Suntory Hall.
As a chamber musician, Pawlik has collaborated with numerous musicians such as the Szymanowski Quartet and baritone Dietrich Henschel in concerts in Berlin, Vienna and at the Megeve Festival in France and with violinist Veronika Eberle, french horn player Johannes Dengler and cellist Matt Haimowitz at the Forest Hills Festival in San Francisco. Since moving to the Bay area in 2013, he collaborates frequently with members of the San Francisco Symphony and many other Bay Area musicians. He also performs duo recitals regularly with his son, violinist Ariel Pawlik-Zwiebel.
Pawlik has made numerous solo recordings with radio stations across Europe and released solo and chamber music CDs. He produced the music documentary film “Artur Schnabel: No Place of Exile” which was co-produced by the television station ARTE, premiered throughout Europe in 2018 and presented at the Library of Congress in Washington, D.C.
A champion for musical education, Pawlik has given international master classes and judged numerous competitions including the Eurovision “Young Musician of the Year” in Hamburg, the Steinway Competition in Boston and the Beethoven Society Competition in San Jose. He has taught as a guest lecturer at UCLA, has a piano studio in Pleasanton and is a member of the Music Advisory Board of Las Positas College.
Ariel Pawlik-Zwiebel, violin
Violinist Ariel Pawlik-Zwiebel, age 16, is a rising senior at Campolindo High School in Moraga
Ariel performs regularly as a recitalist in public concerts with his father, pianist Markus Pawlik. They have recently given concerts in cities such as Phoenix, San Rafael, Pleasanton, Berkeley, Walnut Creek and others and are planning a tour to Europe. Ariel has also performed recently with the Contra Costa Performing Arts Society (CCPAS), the Junior Bach Festival and the Peninsula Holocaust Memorial Commemoration.
As a chamber musician, Ariel plays with the Young Chamber Musicians program in Kohl Mansion and the YPSO Chamber program, has participated in the Virtuoso Program of the San Domenico School and attended the Bowdoin International Music Festival. He will be touring Japan as concertmaster of the YPSO Orchestra and was also the concertmaster of the Festival Orchestra at the Bay Area Youth Orchestra Festival (BAYOF) in January 2024.
Ariel has won top prizes in numerous competitions including, among others, the Berkeley Etude Club Competition, Pacific Musical Society Competition, the US Open Competition, the DVC-HNU Strings Competition and the Silicon Valley Philharmonic Music Competition and he was a laureate of the International Grumiaux Competition in Belgium.
Ariel was the co-chair of the CCPAS student chapter and is active in a FIRST robotics team.
Simon Barrad, baritone
The versatility of Grammy-nominated baritone, Simon Barrad, has been heard in genre-bending concerts across the United States and Europe. His talent for unique and innovative programming and arranging – melding new and old, jazz and drama, classical technique and heartfelt folk idioms – has led to recent features at the Metropolitan Opera, Wigmore Hall in London, the Columbus Symphony, the Ravinia Festival, Stanford Live, the Marlboro Music Festival, and Cincinnati Opera. The 2015/16 Fulbright scholar to Finland has also headlined several concerts in Europe including performances at Helsinki’s Musiikkitalo, Finland’s National Opera House, and the Berlin Philharmonie. Through his performing and as a former mentor for ArtSmart, which provides free music and singing lessons to teenagers in underserved communities, Simon strives to build a more equitable world of empathy and understanding through music.
Simon is also an avid lover and performer of jazz, new music, and ensemble singing. He is a four-time Downbeat magazine national award winner for vocal jazz, and he has performed at the Monterey Jazz Festival, ADCA conventions across the country, and the Grammys as a member of the Grammy vocal jazz ensemble. Simon regularly performs with Austin-based ensemble, Conspirare, and was the baritone soloist for their national tour of Considering Matthew Shepard. In the realm of new music, he has consistently championed new works, giving premiere performances of works by John Harbison, David Lang, Craig Hella Johnson, Mason Bates, and others, as well as performing at the John Duffy Composer Institute under the direction of Libby Larsen. As a Jewish musician, he served as the Rosh Hashanah and Yom Kippur soloist for over a decade at the historic Plum Street Temple in Cincinnati, and is currently the soloist at San Francisco’s Congregation Sherith Israel. He recently founded the musical group JIVE: Jewish Innovative Voices & Experiences with countertenor Aryeh Nussbaum Cohen and pianist Ronny Michael Greenberg.
Mr. Barrad holds a Master of Music degree from the University of Cincinnati’s College-Conservatory of Music where he studied with Kenneth Shaw. He has collaborated with artists including Mitsuko Uchida, Jonathan Biss, Awadagin Pratt, and Ignat Solzhenitsyn. Mr. Barrad also holds a BM in Voice and a French Language minor from the Bob Cole Conservatory of Music at California State University, Long Beach, where he graduated Summa Cum Laude and was inducted into the Phi Beta Kappa honor society. He has completed word for word translations and IPA transcriptions of Tchaikovsky’s Iolanta, Rimsky-Korsakov’s Mozart and Salieri, Borodin’s Prince Igor and a side by side comparison of the libretti of Shostakovich’s Lady Macbeth of the Mtsensk District and Katerina Izmailova.
Telegraph Quartet
Joseph Maile, violin
Eric Chin, violin
Pei-ling Lin, viola
Jeremiah Shaw, cello
The Telegraph Quartet formed in 2013 with an equal passion for the standard chamber music repertoire and contemporary, non-standard works alike. Described by the San Francisco Chronicle as “…an incredibly valuable addition to the cultural landscape” and “powerfully adept… with a combination of brilliance and subtlety,” the Telegraph Quartet was awarded the prestigious 2016 Walter W. Naumburg Chamber Music Award and the Grand Prize at the 2014 Fischoff Chamber Music Competition. The Quartet has performed in concert halls, music festivals, and academic institutions across the United States and abroad, including New York City’s Carnegie Hall and Lincoln Center, San Francisco’s Herbst Theatre, the San Francisco Conservatory of Music’s Chamber Masters Series, and at festivals including the Chautauqua Institute, Kneisel Hall Chamber Music Festival, and the Emilia Romagna Festival. The Quartet is currently on the chamber music faculty at the San Francisco Conservatory of Music as the Quartet-in-Residence.
Kindra Scharich, mezzo-soprano
Mezzo-soprano Kindra Scharich has been praised by the San Francisco Chronicle for her “fearless technical precision,” “deep-rooted pathos” and “irrepressible musical splendor.” As a dedicated recitalist, she has performed more than 250 art songs in 15 languages, and enjoys the full complement of recital, concert and opera engagements alike. Ms. Scharich has sung more than 40 roles from Monteverdi to Philip Glass, and been engaged in a number of premières and new works, including: John Adam’s Antony & Cleopatra (San Francisco Opera), Bright Sheng’s Dream of the Red Chamber (San Francisco Opera) Laura Kaminsky’s Today it Rains (Opera Parallèle) and Missy Mazzoli’s Breaking the Waves (West Edge Opera, west coast première) Scharich’s recordings include: In meinem Himmel: The Mahler Song Cycles, with the Alexander String Quartet (2018), To my Distant Beloved, with pianist Jeffrey LaDeur (2020) and Chosen Eyes, with pianist Ricardo Ballestero (2021). Find out more
Eric Chin, violin
Violinist Eric Chin, a founding member of the recently acclaimed Telegraph Quartet, is equally passionate about performing and teaching. Captivated by chamber music, he founded the award- winning Nexus String Quartet in 2007 at the San Francisco Conservatory of Music. After the final season of the Nexus String Quartet, Mr. Chin received invitation to join the Hausmann Quartet and the chamber music and string faculty at San Diego State University, and held that position until 2014. He then decided to move back to the San Francisco Bay Area, where he later co- founded the Telegraph Quartet. Find out more
Sarah Yuan, piano
Sarah Yuan, age 19, is a rising sophomore at Princeton University. She began piano studies at age seven and is now a student of Dr. Francine Kay at Princeton, having previously studied with Dr. Sharon Mann at the San Francisco Conservatory of Music. Sarah was an Honorable Mention winner of the 2022 and 2023 National YoungArts competitions and is the inaugural recipient of the 2023 John Cron Career Development Award from the Ross McKee Foundation. Over the past several years, she has performed in masterclasses for artists such as John Perry, Ida Kavafian and Peter Wiley, James Giles, Támas Ungár, and the Gryphon Trio. Sarah is currently the pianist for the Aveta Trio, which won the gold medal at the 2021 Fischoff National Chamber Music Competition. She was a five-year participant of the Young Chamber Musicians program based in Burlingame, California; at Princeton, she is currently a member of Opus Chamber Music. Sarah has performed for the San Francisco International Piano Festival as well as the Noontime Concert series in San Francisco, and has also attended international summer music programs such as Aspen, Bowdoin, and PianoTexas.
Jacob Rockower, piano
Jacob Rockower is a sophomore at the Nueva School in San Mateo, California. He began playing piano at the age of three, and currently studies under the direction of Professor Hans Boepple of Santa Clara University. Jacob has been a prizewinner of regional, national, and international piano and chamber music competitions, including Coltman Chamber Music Competition (2024), Music Teachers’ Association of California (MTAC) VOCE Competition, Instrumental Ensemble, State Finals, ENKOR Int'l Music Competition, Chamber Music (2024), National YoungArts in Classical Music Piano (2023), Music Teachers National Association (MTNA) Performance Competition, California and Southwest Division (2022, 2021), MTAC Concerto Solo Competition State Finals (2022, 2021), California Association of Professional Music Teachers (CAPMT) Contemporary Music Competition State Finals (2020, 2017, 2015), CAPMT Honors Competition State Finals (2022, 2021), Pacific Musical Society & Foundation Annual Competition (2022, 2021, 2020, 2019), Marilyn Mindell Piano Competition Junior Division (2022), Seattle International Piano Competition (2022), Chicago International Online Music Competition (2022, 2020), Franz Liszt Center International Piano Competition (2022), Steinway & Sons Junior Piano Competition Northern California Regionals (2020), ENKOR International Piano Competition (2022), and San Francisco Chopin Foundation Competition (2016). In his free time, he enjoys ultimate frisbee, golf, math, and physics. He is also an enthusiast in aviation and geography.
Munan Cheng, piano
Munan Cheng, 17, is a rising freshman at Stanford University. She currently studies with Dr. Sharon Mann. She was also a member of the Young Chamber Musicians program in the Bay Area.
Munan was most recently a 2024 YoungArts Winner and a 2023-2024 scholarship recipient from the Chopin Foundation of the United States. She has been a prize winner of the Emory Young Artist Piano Competition, Ross McKee Piano Competition, Celia Mendez Beethoven Competition, Dubois Piano Competition, Nashville International Piano Competition, and the KAMSA Competition.
Munan has performed for the San Francisco Piano Festival and has also attended the Gina Bachauer International Piano Festival, Music@Menlo, Bowdoin International Music Festival, PianoTexas, and the Vivace Music Festival. Munan has had the honor to participate in masterclasses with Gilbert Kalish, Garrick Ohlsson, John Perry, Jerome Lowenthal, Tamás Ungár, Boris Slutsky, Antonio Pompa-Baldi, Stephen Prutsman, and Ronald Brautigam. Munan is also a member of Bay Area Youth Music Society, a non-profit community service program.
Karina Tseng, piano
Pianist KARINA TSENG is a San Francisco Bay Area native and graduate of the Eastman School of Music in Rochester, New York. She was the youngest finalist at the 2023 Bösendorfer USASU International Competition and winner of the 2022 Marian Garcia International Competition. Karina has appeared alongside orchestras such as the Seattle Festival Orchestra, Palo Alto Philharmonic, and New Millennium Chamber Orchestra, and performed in venues including Weill-Carnegie Hall, Merkin Hall, Leighton Hall, Merrill Auditorium, and the Mondavi Center. She is a top prizewinner of the Kaufman International, Arthur Fraser International, National YoungArts, Pacific Musical Society, Enkor International, Ross McKee, and Junior Steinway competitions, among others. In 2020, Karina was inducted into the distinguished MTAC (Music Teachers Association of California) Young Artist Guild, through which she is offered semi-professional recital opportunities throughout California. As an artist who cherishes connecting and engaging with her audience, she continues to build a diverse solo and chamber repertoire throughout her pianistic studies with Alexander Kobrin and previously, Olya Katsman and Sujeeva Hapugalle. Karina will continue to study under Mr. Kobrin this fall as she begins graduate studies at the Conservatorio della Svizzera italiana in Lugano, Switzerland. In addition to her Bachelor of Music in Piano Performance, Karina holds a Bachelor of Science in Business Information Systems with a minor in Computer Science from the University of Rochester, alongside Certificates of Excellence in Chamber Music and Arts Leadership. More information can be found online at karinatseng.com.
Claire Chang, piano
Claire is a sophomore at Henry M. Gunn High School and is currently studying with Professor Elizabeth Schumann. Over the past five years, she was a pre-college student at SFCM, where she studied under Professor Corey McVicar. Claire began learning piano at the age of 5 and has achieved numerous awards throughout her early career. She won 1st place in the 2024 Pacific Musical Society & Foundation Competition and was named a Laureate in the 2023 Ross McKee Foundation Piano Competition. In 2022, she was a finalist in the Ettlingen International Piano Competition in Germany. Claire has also won 1st place in several other competitions, including ENKOR, USIMC, and USOMC. Additionally, she was a top prizewinner in the Artciál International Piano Competition, the International Grande Music Competition, the LA International Liszt Competition, where she received the Best Performance Award for the Paganini Etude, and the LA Young Musician International Competition. Claire has performed in masterclasses with renowned pianists such as Garrick Ohlsson, Jon Nakamatsu, HieYon Choi and Jean-Efflam Bavouzet. She is passionate about chamber music and has been an active chamber musician. In the summer of 2024, she took part in the Music@Menlo festival.
Xinran Shi, piano
Xinran began playing the piano at age four and a half. She currently studies with Hans Boepple. At age 13, Xinran made her debut with the Hilton Head Symphony Orchestra, playing Chopin’s e minor concerto. Since then she has performed the Rachmaninoff Rhapsody with the Vancouver Symphony. Xinran has attended various music festivals, including Verbier Festival, Morningside Music Bridge in Boston, the Cliburn Junior Piano Festival, and Philadelphia Young Pianists' Academy (PYPA) Piano Festival. In addition, she has won numerous piano competitions, including top prizes in the e-Piano Competition, Hilton Head International Piano Competition, and Ettlingen International Piano Competition, to name a few. Xinran was also a 2020-2022 Young Scholar of the Lang Lang International Music Foundation. In 2023, she appeared on NPR’s From The Top.
Xinran is an incoming sophomore at Stanford Online High School. Outside of music, she enjoys reading, swimming, and traveling.