MEET THe Artists

**Éva Polgár, piano**
Pianist Éva Polgár is a sought-after recitalist, concerto soloist, chamber musician, recording artist, educator, and adjudicator. Critics praise her for her “intelligent interpretations” (Funzine Magazine) and “emotional power” (New York Concert Review). Her dedication to her native Hungarian culture has led her to research Béla Bartók’s piano arrangements of his original orchestral compositions and to specialize in the music of Franz Liszt. Her solo album, Liszt: Harmonies patriotiques et religieuses, was released under Hunnia Records. She has appeared as a panelist and expert on BBC World Service’s program The Forum: Franz Liszt – Hungarian pianist and painter in sound.
Polgár has toured the Americas, Asia, and Europe. As the Hungary Foundation’s Cultural Ambassador of the Year in 2022, she performed a full program of musical treasures from Central Europe and Hungary at prestigious venues such as Carnegie Hall in New York City and Nichols Concert Hall in Chicago. Her concerto performances include appearances with conductors Horst Förster at the Gewandhaus zu Leipzig, Tamás Vásáry at the Danube Palace in Budapest, and Okko Kamu at the Sibelius Academy in Helsinki.
Her chamber music debut recitals at Carnegie Hall featured violinist Kristóf Baráti and clarinetist Bence Szepesi, and at the Kennedy Center she performed with pianists László Borbély and Gábor Varga, all to high critical acclaim. She has also collaborated with Klára Csordás (voice), Márta Ábrahám (violin), and Vilmos Szabadi (violin), among other renowned artists. Her long-standing duo partner is flutist Lisa Bost-Sandberg, with whom she recorded Asha Srinivasan’s virtuosic work Utthishta.
An avid promoter of contemporary music, Polgár actively collaborates with composers and new music performers. Her solo and collaborative repertoire ranges from Pierre Boulez to emerging composers. As a member of the InterSpheres Trio, alongside flutist Lisa Bost-Sandberg and percussionist Jacob Harpster, she has built an impressive performance history, commissioning and premiering works such as i/o (2017) by Daniel Tramte and dualith (2017) by Balázs Horváth, in addition to performing other trio and duo repertoire on national and international tours. She gave the world premiere of Andrew S. Lloyd’s Préludes: Book II at the University of Texas at San Antonio, supported by the Barlow Endowment. In the realm of cross-disciplinary endeavors, she collaborates with visual artist Sándor Vály. Their experimental music albums, released under Ektro Records, have been broadcast by Finnish Radio.
Polgár has won top prizes in competitions, including the 2012 Los Angeles International Liszt Competition (LAILC). In 2017, she was elected co-director of LAILC alongside Dr. Katherine Hickey, a role through which she fosters young musicians in the early stages of their professional careers. To support her work in mentoring emerging talents and promoting the musical heritage of Franz Liszt, the Hungarian Academy of Arts awarded her a three-year grant to design a series of twenty-nine concerts in Hungary and the United States between September 2020 and August 2023.
A graduate of the Franz Liszt University and the Sibelius Academy, Polgár earned her Doctor of Musical Arts degree from the University of North Texas (UNT). Her former mentors include Jenő Jandó, Hamsa Al-Wadi Juris, Lívia Rév, Orsolya Szabó, and Adam Wodnicki.
A committed educator and adjudicator, she has given masterclasses and appeared at festivals and competitions such as LAILC, the Bogotá International Piano Festival in Colombia, East China Normal University, the Pacific Stars International Piano Competition, and the Southeastern Piano Festival, among many others. She is currently Assistant Professor of Piano and Keyboard Area Coordinator at East Tennessee State University. In addition to her teaching appointment, she serves as President of the Appalachian Music Teachers Association and as Executive Secretary on the Executive Board of the American Liszt Society. In this capacity, she hosted the American Liszt Society Festival at East Tennessee State University in fall 2025.
www.evapolgar.com

**Jeffrey LaDeur, piano**
Jeffrey LaDeur is known for his rare blend of insight, spontaneity, and approachable, communicative stage presence. Clic Musique Magazine (France) lauded “…an irreproachable legato, a beautiful palette of nuances, and an always well-balanced sound.” Having inherited a rich tradition of pianism and interpretation from Annie Sherter, student of Vlado Perlemuter and Alfred Cortot, LaDeur has established himself as a compelling exponent of classic and new repertoire. In March of 2018, LaDeur made his solo recital debut at Carnegie Hall on the centennial of Claude Debussy’s death. He appears regularly with orchestra and maintains a repertoire of over 40 concerti. LaDeur is the founder and artistic director of the San Francisco International Piano Festival and president of the American Liszt Society, San Francisco Bay Area Chapter.
LaDeur’s most recent solo recording features music of Liszt and was released by Music & Arts in April of 2022. Critic Henry Fogel wrote, “The beauty of his coloration, the rightness of his phrasing, and his sensitive dynamic shaping, all draw the listener into Liszt’s world.” A chamber musician of distinction, Jeffrey’s collaboration with mezzo soprano Kindra Scharich has produced To My Distant Beloved, an album exploring the connections between Beethoven and Schumann through cycles in song and solo piano works. LaDeur has collaborated with distinguished artists such as Robert Mann, Bonnie Hampton, Ian Swensen, Axel Strauss, Geoff Nuttall, and the Alexander String Quartet.
An active educator, Jeffrey offers masterclasses frequently as guest artist in universities throughout the United States and coaches gifted pre-college piano and string ensembles at Young Chamber Musicians in Burlingame, California. LaDeur holds degrees from the Eastman School of Music and San Francisco Conservatory of Music in piano performance and chamber music, respectively. Jeffrey counts among his teachers Mark Edwards, Douglas Humpherys, Yoshikazu Nagai, and Robert McDonald.
JeffreyLaDeur.com SFPIANO.ORG Find out more.*

**Alexandre Dossin, piano**
Considered by Martha Argerich an “extraordinary musician” and by the international critics a “phenomenon” and “a master of contrasts,” Steinway Artist Alexandre Dossin keeps an active performing, recording, and teaching career.
Alexandre Dossin is Professor of Piano and Chair of Keyboard at the University of Oregon School of Music and Dance. Originally from Brazil, Alexandre Dossin is a graduate from the Moscow Tchaikovsky Conservatory (Russia) and holds a doctorate from the University of Texas at Austin (USA).
A prizewinner in several international piano competitions, Dossin received the First Prize and the Special Prize at the 2003 Martha Argerich International Piano Competition in Buenos Aires, Argentina. Other international awards include the Silver Medal and second Honorable Mention in the Maria Callas Grand Prix, and Third Prize and Special Prize in the Mozart International Piano Competition, in addition to several prizes in Brazil.
An active recording artist, he has numerous CDs released with several labels, including 10 CDs with Naxos. Dossin is an editor and recording artist for several Schirmer Performance Editions. Dossin’s edition and recording of complete piano sonatas by W. A. Mozart (2-volume edition and recordings, Schirmer Performance Editions) was released in the fall of 2023. Other recent releases include the complete piano works by George Walker in 2 CDs with Naxos (2024). A performance edition of the same works published by Keiser Southern Music will follow in 2026, in addition to an all-Prokofiev CD with Naxos. Soloist appearances in past seasons include the Eugene Symphony, the Austin Symphony, Porto Alegre Symphony in Brazil, in addition to the West Coast premiere of George Walker’s piano concerto with the University of Oregon Philharmonia. In 2025, he had his Central American debut during the Costa Rica Piano Festival, and in 2026, Dossin returned to Brazil for appearances as a soloist (Khatchaturian Piano Concerto) in several states, and as a faculty/artist in the largest musical festival in Latin America (FEMUSC).
Dossin’s work was praised in reviews by Gramophone, Diapason, The Financial Times, Fanfare Magazine, American Record Guide, Clavier, and other international publications.
Dossin is the Artistic Director and Co-Founder of the Oregon Piano Institute, Vice President of the American Liszt Society, and one of the recipients of the prestigious Faculty Fund for Excellence at the University of Oregon.
www.dossin.net

**Elizabeth Dorman, piano**
Praised by Joshua Kosman of the San Francisco Chronicle for her “elegance and verve,” pianist Elizabeth Dorman enjoys performing music both new and old as a soloist and chamber musician.
A finalist of the 2018 Leipzig International Bach Competition, Elizabeth has been widely recognized as a leading performer for her inquisitive interpretations of Bach’s music on the modern piano. Elizabeth has appeared as soloist with orchestras including the Louisville Orchestra, the Leipzig Mendelssohn Chamber Orchestra, the Santa Rosa Symphony, the California Symphony, the Vallejo Symphony, the San Francisco Symphony Youth Orchestra, the Folsom Lake Symphony, the Stanford Summer Symphony, Symphony Parnassus, as a soloist for interdisciplinary projects at New World Symphony, and as a keyboardist at the San Francisco Symphony. She can be heard on Delos records as a concerto soloist with Santa Rosa Symphony’s new album celebrating the music of Ellen Taaffe Zwilich, and has also recorded for Navona.
She has been presented as a soloist and chamber musician at venues including the Kennedy Center, Davies Symphony Hall, Herbst Theater, Merkin Hall, Carnegie’s Weill Hall, Leipzig’s Hochschule für Musik, and her live solo performances have been nationally broadcast on NPR and public radio. Elizabeth is Artistic Director of the San Francisco Chamber Players and also serves as Assistant Artistic Director for Archipelago Collective, a chamber music festival in the San Juan Islands. She has appeared at other festivals including Tanglewood, Britt, Sarasota, Aspen, Toronto Summer Music, Icicle Creek, and the Banff Centre.
Working with the Bridge Arts Ensemble, Stony Brook University, and as a board member of the Ross McKee Foundation, Elizabeth has produced concerts, lectures, and workshops for music students and was honored with the Father Merlet Award from Pro Musicis for her work training high school music students in community engagement.
Elizabeth and was awarded a Doctor of Musical Arts from Stony Brook University in 2019 where she studied with Gilbert Kalish and lives in the San Francisco Bay Area. She was born and raised in the SF's Castro, and attended the San Francisco School of the Arts, the SF Youth Orchestra, and the SF Conservatory on Piano and Bass.

**Liam Teague, steelpan**
Liam Teague is Professor of Music and Director of Steelpan Studies at Northern Illinois University (NIU) and leads the renowned NIU Steelband. He is the recipient of an NIU Board of Trustees Professorship Award (2022); Presidential Research, Scholarship and Artistry Professor Award (2018); and an Illinois Arts Council Artist Fellowship Award (2023).
Hailed as the “Paganini of the Steelpan”, he has received several honors from Trinidad and Tobago, his country of birth, including the Hummingbird National Award (Silver), the Ansa McAl Caribbean Award for Excellence, and the Keys to the City of San Fernando. In 2024, the Fox Valley Orchestra honored Teague with its Champion of the Arts award.
As a soloist, Teague has performed with diverse ensembles such as: National Symphony Orchestra, Taiwan National Symphony, Czech National Symphony, Saint Louis Symphony, Panama National Symphony, Chicago Sinfonietta, Vermeer String Quartet, Avalon String Quartet, Hannaford Street Silver Brass Ensemble, River City Brass Band, Nexus, Dartmouth Wind Ensemble, Indiana University Symphonic Band, and the BpTT Renegades Steel Orchestra. Teague has also collaborated with Grammy-Award winning musicians Paquito D’Rivera, Dave Samuels, Zakir Hussain and Dame Evelyn Glennie, and regularly concertizes with the steelpan and harp duo Pangelic, which he founded with Faye Seeman. Liam has also appeared at several Percussive Arts Society International Conventions and international educational institutions.
Many of his compositions and arrangements are published with Panademy, MaumauMusic, RamajayMusic, and Wendeln Music Works. Teague has commissioned several outstanding composers to write for the steelpan; these include Michael Colgrass, Jan Bach, Libby Larsen, Andy Akiho, Deborah Fisher Teason, Joey Sellers, Ben Wahlund, Erik Ross, Kevin Bobo, David Gordon, Robert Chappell, Geof Bradfield, Casey Cangelosi, Gustavo Leone, Victor Provost, Etienne Charles, James Gourlay, and Reggie Thomas.
He is also the author of a steelpan method for beginners published by the Hal Leonard Corporation and has created arrangements for Panorama -the most celebrated steelband competition in the world. Teague has many recordings to his credit including Hands Like Lightning, Open Window, and Sorcerer.

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**Jaden Teague-Núñez, steelpan & piano**
Jaden Teague-Núñez is 18 years old and was born in Panama City, Panama. The son of Trinidadian and Panamanian parents, he began studying steelpan and piano at age 8 and 10, respectively.
He became the first steelpan soloist in the world to perform with the Chicago Symphony Orchestra after winning the CSO’s Crain-Maling Foundation Young Artists Competition in 2024. In 2025, he was named YoungArts Winner with Distinction (classical percussion) by the National Foundation for the Advancement of Artists. His work has been covered by Chicago’s WGN-Television and in several newspapers which include the Trinidad Newsday and Guardian.
Jaden has guested with the Chicago Symphony Orchestra, Civic Orchestra of Chicago, Fox Valley Orchestra, Wheaton Municipal Band, and the Northern Illinois University Steelband, and he has performed for the Nassau Music Society in the Bahamas and the 50th anniversary of Crop Over in Barbados. Teague-Núñez has played at the Percussive Arts Society International Convention and at the 2023 Tuba Bach Festival and concertizes with his father Liam Teague as the duo TNTeague. He has also collaborated with virtuoso pianist Jodie Desalvo on her Piano Talks concert series. Jaden also practices mixed martial arts at United Elite MMA.

**Stephen Prutsman, piano**
Stephen Prutsman has been described as one of the most innovative musicians of his time. Moving easily from classical to jazz to world music styles as a pianist and composer, Prutsman continues to explore and seek common ground and relationships in the music of all cultures and languages.
In the early 2000s Stephen was Artistic Partner with the St. Paul Chamber Orchestra, where he wrote several new works for the orchestra, led performances of other composers as a conductor and pianist, and developed the orchestra's contemporary and world music series. Later he was the Artistic Director of the Cartagena International Festival of Music, South America’s largest festival of its kind, programming and curating concerts with themes ranging from Mozart celebrations, to eclectic evenings of folk and popular music of the Americas, to hybrid programs fusing art and dance music of multiple musical dimensions.
In the early 90’s he was a medal winner at the Tchaikovsky and Queen Elisabeth Piano Competitions, and received the Avery Fisher Career Grant. Since then Stephen has performed the classical concerto repertoire as soloist with many of the world’s leading orchestras and his classical discography includes acclaimed recordings of the Barber and McDowell concerti with the Royal Scottish National Orchestra and National Symphony Orchestra of Ireland, recordings of Bach's Well-Tempered Clavier, and a solo jazz album entitled "Passengers".
Born in Los Angeles, Stephen first began playing the piano by ear at age 3 before moving on to more formal music studies. In his teens and early 20s he was the keyboard player for several art rock groups including Cerberus and Vysion (and was a winner of television’s “The Gong Show”!) During those years, he worked regularly as a solo jazz pianist playing in many southern California clubs and lounges and was the music arranger for a nationally syndicated televangelist program.
As a composer, Stephen’s long collaboration with Grammy Award winning Kronos Quartet has resulted in over 40 arrangements and compositions for them. Other leading artists and ensembles who have performed Stephen’s compositions and arrangements include Leon Fleisher, Dawn Upshaw, the St. Lawrence String Quartet, Yo-Yo Ma, Spoleto USA, and the Silk Road Project. In 2010, his song cycle “Piano Lessons” was premiered by Ms. Upshaw and Emanuel Ax at Carnegie Hall (New York), the Concertgebouw (Amsterdam), Disney Hall (Los Angeles) and the Barbican Centre (London). As a pianist or arranger outside of the classical music world he has collaborated with such diverse personalities as Tom Waits, Rokia Traore, Jon Anderson of “YES”, Sigur Rós and Asha Bhosle. He has scored for a variety of ensembles 15 silent films from the 1920s which are regularly presented at various venues throughout the world.
He is a board member of several organizations in the San Francisco Bay Area promoting the well-being of people living with intellectual and developmental disabilities, and regularly produces and curates "Azure Concerts" musical performances tailored for individuals on the autism spectrum and their families. He was recently named Creative Director for Phenotypic Recordings, a new company specializing in recordings of contemporary music, and in January of 2023 Prutsman began a 2-year appointment as Visiting Artist at Stanford University.
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Eric Zivian, piano

Eric Zivian is a pianist, fortepianist, and composer. He is founder and Music Director of the Valley of the Moon Music Festival in Sonoma, specializing in Classical and Romantic music on period instruments.

In recent years, Eric performed the Mozart C minor Concerto with the Portland Baroque Orchestra and the Beethoven Choral Fantasy with the Philharmonia Baroque Orchestra. He has also soloed with the Santa Rosa Symphony and the Toronto Symphony, among others.

Eric has performed extensively on fortepiano since 2000. At the height of the pandemic, Eric livestreamed all 32 Beethoven piano sonatas on period pianos.

Eric's compositions have been performed widely in the United States and in Tokyo, Japan. He was awarded an ASCAP Jacob Druckman Memorial Commission to compose an orchestral work, Three Character Pieces, which was premiered by the Seattle Symphony in March 1998.

Eric received degrees in piano and composition from Curtis, Juilliard, and the Yale School of Music. He studied piano with Gary Graffman and Peter Serkin and composition with Ned Rorem, Jacob Druckman, and Martin Bresnick. He attended the Tanglewood Music Center as a performer and composer.

Meet the Artists

MEET THe Artists